Chicago’s Floating Museum

How can art transform a landscape? And who have access to such transformation? The River Assembly Project not only confirms that art has the power to transform, but also declares that each and all should have access to art’s potentials.

Turning an industrial barge into The Floating Museum, Chicago’s local artists, with various arts and cultural organizations, came together to “create temporary, site-responsive museum spaces to activate sites of cultural potential throughout Chicago’s neighborhoods.”

According to the creators of the project, first it’s important to talk “with community leaders, organizations, and artists who are deeply invested in their neighborhood.” Then they “nurture new connections between communities, institutions, and the people these spaces serve.” The results of this process are “installations are platforms for engaging communities and celebrating the art and culture being produced by our neighborhoods.” In doing so, The River Assembly Project “bring[s] together the work of … dispersed locations in a traveling museum that celebrates the energy” of Chicago.

The Floating Museum showcases visual arts, media, and performances by more than 30 local and national artists, including:

Miguel Aguilar (aka Kane One), Tiaybe Bledsoe, Marcus Alleyne, Hebru Brantley, Marcus Davis, Asia Delores, Bill Douglas, Louis DeMarco, Kameco Dodd, Marcus Evans, Assaf Evron, Krista Franklin, Maria Gaspar, Tracie D. Hall, Jeff Harris, Adam Hines, Jeremiah Hulsebos-Spofford, Yashua Klos, Gaby Ibarra, Kopano (performance), Faheem Majeed, Christopher Meerdo, Ciera Missick, Cecil McDonald Jr, Jesse McLean, MonAerie (performance), Derek Moore, Dan Peterman, Cheryl Pope, Pope.L, Fernando Ramirez, Kameelah Janan Rasheed, Cauleen Smith, Sheila Smith, Edra Soto, Lan Tuazon, Maria Villarreal, Roman Villarreal, JGV/WAR (J. Gibran Villalobos & Wil A. Ruggiero), Amanda Williams, Bernard Williams, Avery R. Young & De Deacon Board (performance)

For Freedoms

The heart of Artistic Citizenship asks artists of all kinds, whether amateur or professional and across all arts domains, to ask critically important questions, such as:

What responsibilities do artists have to engage in art work for social transformation?

One organization—or, “super PAC” as they call themselves—aptly named “For Freedoms,” not only interrogates this question, but also activates this question for those whom engage with their artistry. As Celia McGee writes:

Founded by Hank Willis Thomas, a photographer and conceptual artist, and Eric Gottesman, a video artist and activist, the super PAC is named after Franklin D. Roosevelt’s “Four Freedoms” wartime address in 1941 — a call to safeguard the freedoms of speech and worship, the freedom from want, and the freedom from fear.

Contributing artists and photographers include Carrie Mae WeemsRashid JohnsonXaviera SimmonsAlec Soth, Bayeté Ross Smith, Fred Tomaselli and Marilyn Minter. Their works will be used for billboards, building signs, subway advertising, Internet memes, social media and select print advertising, potentially even yard signs, and ultimately an art show at the Jack Shainman Gallery in Chelsea.

For Freedoms describes their mission as follows:

As the first artist-run super PAC, For Freedoms uses art to inspire deeper political engagement for citizens who want to have a greater impact on the American political landscape.

WE BELIEVE

We believe that artists, and art, play an important role in galvanizing our society to do better. We are frustrated with a system in which money, divisiveness, and a general lack of truth-telling have stifled complex conversation. We created the first artist-run super Pac because we believe it’s time for artists to become more involved in the political process.

What can we learn about the role of art in politics from For Freedoms? We leave this up to you to decide. For now, we urge you to think-through today through the lens of the actions and activism of For Freedoms.

A Jim Goldberg photograph from the Postcards From America series. Jackie Smith, protesting gentrification in Memphis, at the site of the assassination of the Rev. Dr. Martin Luther King Jr., now the National Civil Rights Museum.

Why the Arts Matter

What happens to us when we actively engage as art-makers or art-takers? Who do we become?

Given the complexities of today’s political, social, and emotional landscapes, engaging with/through the arts is as important now more than ever. Why? “With everything that’s going on in the world, it’s easy to question the value of telling stories or making sculptures.” While some may be tempted to question the arts at times like these, we disagree. And so does Miguel Syjuco.

“Silence, it is said, implies complicity. But that’s only half the story. Silence also confirms oppression, because the ability to speak out is too often a luxury of the privileged.

The aggressive populism we see today seems to be a testament to people refusing to be silent – and rightly so. Our societies have largely failed to provide equally for all, and technology now gives us new avenues through which to be heard, and with which to rebel against repressive ideas and structures. New leaders have latched onto that and now seek to speak for us, even though many of them are rallying us crudely around fear and mistrust.”

Art making and art taking help us raise our voices to the level of consciousness. The arts confirm that we do not need to remain silent and complicit.

Pablo Picasso knew this all too well. That’s why he painted “Guernica.”

Food for thought on why the arts matter…